I immediately began to ponder the implications for quilting using this process. I knew that the rice paper would shred if you stitched it without some sort of stabilizer.
I wondered if you could replicate the process on various fabrics.
Time to experiment!
I chose one of the fish from Kathie's illustration, and made some small samples.
Upper Left: Cotton and Setacolor paint
Upper Right: Cotton and watercolor paint
Lower Left: Silk and watercolor paint
Lower Right: Ginwashi rice paper and watercolor paint
I was surprised that all of them worked out just fine for creating the batik painting. I did not think you could use watercolor paints on dry untreated cotton, but you can! I think the Setacolor had more intense colors than the watercolors.
I also took one flower from Kathie's Sunflowers kit that I purchased, and used the regular process of wax and watercolor on Ginwashi.
Then I did some outline stitching with black thread on just the Ginwashi with interfacing. Great results- no tearing!
Then I made a quilt sandwich and heavily quilted the whole piece. Again, great results!
Next, I stabilized the Ginwashi fish with the same interfacing, and quilted it. No problem!
I tried applying matte medium to another Ginwashi fish to see if you could stitch through it without any other stabilizer.
I found that the matte medium dulled the intensity of the colors and made the surface feel less soft. It was difficult to use shiny, sparkly threads through it, but I had good luck with this variegated rayon. That piece is now quilted without using any additional interfacing.
I think the matte medium would be a good choice for using these Ginwashi paintings in collage, mixed media, or perhaps as journal covers when you would want to add a layer of protection.
So...yes, you can stitch through rice paper if you stabilize it with interfacing or apply an acrylic medium to make it stronger.
I have already interfaced the large school of fish painting, and started machine-quilting it on my Janome!
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