Showing posts with label Stitch Alchemy. Show all posts
Showing posts with label Stitch Alchemy. Show all posts

Tuesday, June 29, 2010

Trying Out Fabric Paper...and Another Collage



Continuing my journey in mixed media, I painted and stamped a canvas board, added some collaged papers and lace, and drew all over it with black ink. The brown shading is done with Conte crayon. The text at the lower right was on a bit of scrapbook paper.  It is the first three lines from a poem by Thomas Campion: 


There is a Garden in her face,
Where Roses and white Lillies grow ;
A heau'nly paradise is that place.


I chose to interpret the poem quite literally!  I like the colors and layering on this one, but might do something about that big green leaf that is pointing to the lady's face.


After reading through the Stitch Alchemy book by Kelli Perkins, I was moved to try constructing some fabric paper.  On my first attempt, I ignored the suggestion to use muslin as the base.  I had this old ugly piece of  rust calico that I wanted to repurpose.  I covered it in tissue papers, scrapbook papers, and magazine cutouts.  The big yellow flower is some of my ill-fated hand-made paper that I painted.

This came out okay, but I disliked the areas where I had applied white tissue paper...and I thought the white and black diamonds were a little stark.  I squirted a Tim Holz ink in "butterscotch" over almost the whole piece to give it a kind of glaze.  Here is a section of it.  The lovely lady was from a feature in the St. Louis magazine in our hotel.

 

This one would be my favorite, except that I got a lot of wrinkles right in the lady's face when it dried.  I attribute this to being a rookie!  I was using a 2-1 mixture of water to Allene's Tacky Glue to attach and seal the papers to the fabric base.





Next up, another green piece, this time intended to be ocean-themed. It is on a muslin base, but the fabric had been dipped in my  turquoise rinse water from painting journal pages.  The seaweed vine was drawn on Golden Threads paper, which I sometimes use for quilting designs on the long-arm.  Everything else but the seahorse is just tissue paper layered over each other.




The next one is a modge-podge of tissue paper, fabric, and a graphic illustration I liked from the Wall Street Journal.




What will I do with any of this?  Who knows?  It's fun!

Monday, June 21, 2010

Stitch Alchemy book


I have a wonderful new book that was an early birthday present from my son and daughter-in-law.   Stitch Alchemy by Kelli Perkins is all about combining fabric and paper for mixed-media art.  The author refers to the resulting product as paper-cloth.  I have also heard it called fabric paper.  This is a process that I am anxious to try out!

Why paper-cloth?  For one thing, you can create colors and designs that are uniquely original, rather than depend on commercial fabric.  For another, you can cut paper-cloth and applique it without turning under the edges.  Paper-cloth can be stitched, painted, and embellished to your heart's content.

To make paper-cloth, you can use cheap, plain muslin, white craft tissue paper, and white glue.  Once you get the base prepared, you can add almost any surface design technique, such as stamping, stenciling, texturing, and almost any paint technique.  There are pages and pages of instructions and ideas for "saturating your paper-cloth with juicy color."

I can't wait to get started!  Even the pages of the book are juicy and inviting.  Great gift!