Finishing Up a Visual Journal

I have been trying to put the finishing touches on a 9" x 12" visual journal that I started last year.  It is a Strathmore Visual Journal for Mixed Media. 

I used some of the printed/painted papers from the Traci Bautista Strathmore Artist's Workshop to make the front and back covers and inside covers.

Front Cover

Inside Cover and Title Page

This spread had remained half done until today when I added a lot more collage elements to make a "Spring Fever" spread.  There are more of my printed/painted/stamped papers at top. Hopefully the photo will enlarge if you click on it.

This one features a print of one of my watercolor figure paintings on the lower left and a silly painting doodle on the right.

This one is a hot mess.  Had too much stuff going on in the background, so I added some white elements (dogs and clock) and large text on vellum.  Still not crazy about it, but it looks better in real life!

I've been adding finishing touches to a few other pages.  Forgot to take pictures of the back cover and inside pages.  Next time!

Printing 101

I have been taking part in the Printing online workshop with Traci Bautista at Strathmore Online Workshops.    Traci has a very loose, modern, colorful style, but her methods could be applied to many types of mark-making and printing on paper or fabric.  Most of my prints have been on Strathmore Printmaking Paper, 300 Series.

Traci takes us through the process of making masks, stencils, and using both positive and negative images.

The first one shows a background printed with needlepoint grid, a mask and stencil I cut and used to print.  The dark blue is a watercolor paint diluted with water and sprayed through the stencil.

You can see the same leafy stencils used in a different color palette.  The square shapes are from my 6" x 6" Gelli Plate.  The black flowers are from a hot glue flower that I made and used as both a stencil and a stamp.

Traci is all about not wasting the paint left on the printing plates, stamps, or brushes, so you need to have journals and lots of papers ready to print the extra paint.  Here are pages in my Mixed Media journal absorbing some of the extra paint.  I used white ink around the darkest leafy shapes.

Here are two shapes I cut to use as stencils/stamps.

And here are some of the prints made from them.

The first one has a background with lots of marks, stamps, and doodles in oil pastel and acrylic paint. Then I printed the dark flowers with the Gelli Plate.  Looks a little like Matisse to me!

This one is mostly "ghost prints" from using the extra paint on the gelli plate and hot glue stamp.

Here is another with the background from Week 1, added doodle, and the black gelli plate print of the fern.

 The next two are just on computer printing paper, again extra paint absorbers.

 Here is one that is sort of a hot mess of doodles, paint, and prints.  Might make a good background!

For a very different look, I changed to a warmer palette and made some interesting bright prints.  The plaids are from notching the edge of a credit card and scraping it through the paint on the Gelli plate. The big black areas did not work out, so will be covered with something else.

 It is very messy and time-consuming to go through this layering process, but you can produce some very unique papers.  Of course, you can print fabric the same way.  I would probably use fabric paint and/or mix a textile medium into the acrylic paint if I wanted to sew through it.

Have fun!

And Now, Something Different

I have posted before about the 2012 free Strathmore Online Workshops.  The first one is hosted by Traci Bautista and is called Doodles Unleashed.  In the fourth lesson, we created a beautiful background with acrylic paints, stamps, stencils, doodled text, etc. 

We also created doodles on a separate sheet with India ink and paintbrush.

The final step was to paint a face onto the background, and collage some of the ink doodles as a headdress.  Traci's looked like this one on the cover of her latest book.

She creates stylized lady's faces that she calls "glam girls" who have one very elaborate eye, no nose, sexy lips and curly long hair.  They also tend to have green, purple or other colorful faces.

I did not want mine to be a copy of Traci's.  Since I have been trying to paint faces for awhile, I decided to try a more realistic face.  When I collaged some of my doodles, the India ink smeared all over.  I had to repaint them.  Here is what I came up with.


Island Bride, mixed media painting by Jeanne McBrayer



She ended up being a bride because I went a little too wild when I painted in her hair.  I gessoed over the black paint, and it looked like a bridal veil.  So I added some stenciling with white acrylic paint.

I have no idea what I will do with this.  Maybe cut it up into postcards or journal covers?  It is fun to try new techniques.

I also began several other backgrounds that have faces in progress, so I will get to those sometime this week.

Are you ready for the Super Bowl?  It is cold and rainy today.  I think I will spend the afternoon before the big game quilting my Cassatt portrait, and maybe its companion, the barn picture, as well.  I have almost finished stitching it.

Fun With Doodles on a Rainy Day

This is what it looked like on our greenway walk today.  Gray, beige, and wet.

Kasey and I were the only idiots out there.  Hope SHE enjoyed it! 

I decided it was a good day to work on fun, colorful journal pages.  First, I got out my hardcover watercolor journal and turned to a page that I had previously painted with some orange/pink watercolors.  This month's theme for The Sketchbook Challenge is DOODLES.  So, I used two widths of Sharpies to add some doodle designs.

Doodling is also the theme of the first of this year's Strathmore Online Workshops.  If you have any interest in mixed media or art journaling, you should sign up for this free series of online classes with well-known artists.  The first series of videos is by Traci Bautista.  In the first lesson, you make marks with a variety of paints, markers, and stencils.  Then you use India ink and white-out marker to add more marks.

Here is my first lesson.  I hear the Seventies are calling, and they want their Flower Power back!

Since I had an extra sheet of watercolor paper handy, I made another one to use up the extra paint.

It is my understanding that these are to be cropped and cut up in future lessons for use as journal covers or other mixed media creations.

I also started Lesson 2 with Traci, which involves painting big shapes with watercolor paint, then adding stamps.  When this is all dry, I will write all over it with transparent ink colors- probably my Tsukineko inks.

I highly recommend color therapy for a dismal winter afternoon!